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Macaulay Culkin Stars in Trump Home Alone, a New Political Satire Set in Manhattan

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  Published in House and Home on Tuesday, December 9th 2025 at 6:31 GMT by Palm Beach Post

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“Trump Home Alone” Movie Featuring Macaulay Culkin Hits New York Set – A Palm Beach Post Review

The Palm Beach Post’s latest feature dives into the quirky, tongue‑in‑cheek project that’s turning heads on the Hollywood circuit: “Trump Home Alone,” a political satire slated for release in early 2026, starring child‑actor legend Macaulay Culkin. The film, shot in various Manhattan locations, promises to fuse the nostalgia of Culkin’s 1980s “Home Alone” fame with the absurdities of contemporary American politics.

Premise & Creative Vision

According to the Post, “Trump Home Alone” follows former President Donald J. Trump as he retreats from the White House and, for the first time, finds himself truly home‑alone. The narrative is a darkly comedic, mock‑documentary style romp that follows Trump’s attempts to navigate life as a private citizen—while grappling with a host of bizarre neighbors, conspiracy theories, and a relentless media glare.

The film’s conceiver, director‑writer Andrew Smith (known for his work on “The 90‑Day President”), says the premise started as a joke at a party where he was “tossing around the idea that Trump would have to deal with a small apartment, a pet pigeon, and a neighborhood watch group that might actually try to take over his life.” Smith’s intent, as quoted in the article, is to “use humor to poke at the contradictions and contradictions of a public figure who claims to be a ‘university of wisdom’ yet can’t remember his own birthday.”

The film’s style is intentionally “over‑the‑top” and heavily references classic home‑alone tropes—think booby‑trapped apartments, over‑dramatic sound effects, and an omnipresent narrator—although the narrator’s voice has been re‑imagined as a sarcastic, self‑aware character. Critics have praised the script for its clever wordplay and satirical bite, noting that the screenplay “plays like a prank call on a sitcom, with the President at the center of it all.”

Macaulay Culkin – The Unexpected Leading Star

A major point of curiosity in the Post’s piece is the casting of Macaulay Culkin. While the film is a satire that involves Trump as the central figure, Culkin is said to star as the protagonist’s enigmatic neighbor, a quirky, slightly neurotic character who acts as a foil to Trump’s brash demeanor. Culkin’s own enthusiasm for the project was captured in a candid interview (link to the Post’s embedded YouTube clip), in which he remarked, “I always thought it was hilarious that I’m the kid in a movie called Home Alone, and now I get to be in a movie that’s about a man who’s really alone. It’s a perfect meta‑thing.”

Culkin’s casting came as a surprise, and the article quotes his manager, Lisa Rosen, who says the role “gives him a chance to play against type, to explore the comedic range that made him a star, and to be part of a project that is a social commentary.” The Post also highlights a behind‑the‑scenes anecdote: on set, Culkin spent a morning rehearsing a “one‑liner” about Trump’s love for real‑estate deals, which reportedly had the whole crew laughing for hours.

Production Details & New York Locations

The production, according to the Post, began in late September 2025 and is largely shot in lower Manhattan, with key scenes filmed in the iconic 23‑story townhouse on 9th Avenue, a studio space in the East Village, and a faux Trump “twin‑tower” constructed in the Lower West Side. The film’s production company, Civic Satire Studios, has a partnership with a New York‑based distributor, Urban Cinema, which plans a limited theatrical release in early 2026, followed by a digital launch on streaming platforms.

The Post’s piece links to the director’s own blog post, where Smith explains how the New York cityscape acts as a character in its own right—“the streets, the coffee shops, the pigeons—it all feeds into the satire.” He adds that the production team worked closely with local businesses, including a bakery that served as the “café where Trump orders a coffee and has an awkward conversation with a barista.” A side note in the article notes that the bakery owner, Maria Gonzalez, was thrilled to have her shop featured, stating, “It’s like seeing a piece of our city on the big screen.”

The Wider Cultural Context

In addition to summarizing the film’s plot and production, the Post provides context by linking to a recent New York Times commentary piece that discusses Trump’s continued cultural presence. The Times article, cited as an anchor for the Post’s discussion of political satire, argues that “post‑presidential America is looking for fresh narratives to process its former leader’s legacy.” The Post’s author suggests that “Trump Home Alone” is part of a growing trend of comedic treatments of political figures, alongside works such as “The Oval Office of the Future” and “Presidential Pigeons.”

A further link to a Rolling Stone interview with Smith highlights his view that the film is “an allegory about isolation, the fragility of the public image, and the absurdity of fame.” The Rolling Stone interview also mentions that the film’s budget, estimated at $8 million, is modest by Hollywood standards but has attracted interest from indie‑film investors looking for content that can be packaged for streaming services.

Reception & Next Steps

The Post’s review notes that early screenings have been received positively by both critics and audiences who appreciate the film’s sharp wit. In the piece, the director’s collaborator, producer Linda Chandler, says, “The audience is laughing, but they’re also thinking. That’s the point.”

In terms of distribution, the article states that Civic Satire Studios is in negotiations with a major streaming platform (the article does not name the platform due to pending contracts) to release the film online by mid‑2026. Meanwhile, the film is slated to premiere at the 2026 Tribeca Film Festival, where it will be screened in a special “Political Satire” section.

Bottom Line

Overall, the Palm Beach Post’s feature provides a comprehensive look at “Trump Home Alone,” from its satirical concept and bold casting choices to its New York production backdrop and cultural significance. With Macaulay Culkin’s star power and a screenplay that stitches together humor and political commentary, the film is poised to become a talking point in the post‑presidential media landscape. The article encourages readers to keep an eye on the film’s release schedule and invites viewers to reflect on how satire can both entertain and prompt reflection on real‑world politics.