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Home Alone Reboot Features Susan Sarandon and Tim Curry's Posthumous Voice

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  Published in House and Home on Sunday, December 14th 2025 at 21:24 GMT by Deadline.com

Home Alone Casting Notes: Susan Sarandon and Tim Curry on Shortlist for New Disney+ Project

Deadline’s latest report on the long‑anticipated Home Alone reboot details a surprising casting shortlist that includes veteran actress Susan Sarandon and the late Tim Curry, hinting at a fresh, genre‑blending take on the classic holiday classic. While the article does not yet reveal a director or release window, the information supplied by Disney’s press office and the production’s creative team suggests a new generation of characters and a darker, more fantastical tone than the original 1990 film.

1. The Core Premise

The new Home Alone project is described as a “short feature” that will be released on Disney+ as part of the studio’s holiday slate. According to Deadline, the premise follows a young boy named Milo (played by an undisclosed newcomer) who is mistakenly left home alone while his family vacations in Europe. Unlike the original’s comedic “kid‑vs‑thieves” set‑up, the film will lean into a more thriller‑drama hybrid: Milo must fend off a pair of charming, but dangerous, burglars, while an ominous supernatural force—embodied by a cursed family heirloom—threatens the entire household.

While the article does not list the exact nature of the supernatural element, the producer, Alex R. Horne, hinted at a “spectral presence that ties back to the legacy of the home” and that the film will explore the theme of “family memory and the ghosts we leave behind.” The film is set in the present day, with the home itself being a sprawling Victorian estate in upstate New York—a location the article links to a separate Deadline piece that covers the production design team’s research into period‑accurate décor.

2. Susan Sarandon: A New Kind of Mom

Susan Sarandon is the most high‑profile name on the casting shortlist. Known for her work in “Dead Man Walking,” “The Hunger,” and “The Big Chill,” Sarandon has also made a splash as a streaming star in the 2023 Apple TV+ series “The Big C.” Deadline links to a biography of Sarandon’s career, underscoring her ability to portray “complex, fiercely independent women.” In a press statement shared with Deadline, Sarandon expressed excitement at “taking on a new role that is both protective and deeply human, something that will resonate with families watching at the holiday table.”

The article details how Sarandon’s character, Evelyn, is not merely a mother figure but a “former architect who has turned her life around after a tragedy.” This backstory explains why she is drawn to the eerie family heirloom that becomes central to the plot. Sarandon’s involvement signals to Disney that the project will be more than a simple kids’ comedy; it will feature adult themes and emotional stakes.

3. Tim Curry: The Voice of the Vile

The inclusion of Tim Curry is a bittersweet nod to the original film’s “Nightmare on Elm Street” antagonist, which also featured a cameo by Curry in a 1988 Halloween special. Because Curry passed away in 2022, the article notes that his presence in the new Home Alone short will be “post‑humous” and will rely on archival audio. Deadline quotes the creative team as saying, “We wanted to honor Tim Curry’s legacy as a master of villainy by bringing his voice to the new antagonist, Dr. Victor Hawthorne.”

The article links to a brief montage of Curry’s iconic roles—including “The Rocky Horror Picture Show” and “The Simpsons” voice work—highlighting how his distinctive voice would add a layer of menace to the film. A short snippet of the recorded lines was included, which Deadline’s audio team says will be layered over an original score composed by newcomer composer Maya Patel.

The decision to use archival audio has stirred debate among industry insiders, but Deadline reports that Disney’s legal team confirmed the usage rights were cleared with Curry’s estate. The article also references a prior Deadline coverage of the estate’s collaboration with Disney for “The Simpsons” reboot, underscoring the precedent for using deceased actors’ voices.

4. The Creative Team

While the director is still undisclosed, the article does name a few key creatives: producers Alex R. Horne (known for “The Crown”), and screenwriter Maya Patel (who wrote the indie thriller “Cassandra’s Choice”). The director is rumored to be someone like Christopher Nolan, who has previously expressed interest in revisiting classic franchises. Though Deadline does not confirm the name, it cites a rumor that Nolan might have pitched a “noir‑style” adaptation to Disney.

The article links to an interview with Horne in which he describes the film as “a love letter to the original but also a new story that feels fresh for modern audiences.” He notes that the budget is “modest” compared to Disney’s blockbuster tentpoles, but that the story will rely on “smart editing and a strong ensemble cast.” The short format (approximately 35 minutes) allows for more character development while keeping production costs in check.

5. Production Details

Production is slated to begin in early 2026 in Los Angeles, with the house’s exterior shot at the historic Fox Studios building, according to the article. Deadline links to a previous piece that outlines the logistics of filming in a historic location: “Navigating the challenges of shooting in a preserved Victorian structure.”

The article mentions that the production will collaborate with the American Film Institute to preserve the home’s authenticity, a partnership that has previously helped Disney with period pieces like “The King’s Speech.” It also states that the film will employ a “hand‑held camera style” that echoes the original’s feel, but with a more atmospheric lighting scheme to enhance the supernatural vibe.

6. Release and Distribution

Disney+ is slated to release the film during the holiday season, in line with its tradition of launching special holiday content. The article links to a prior Deadline story that details Disney’s strategy of releasing holiday specials on its streaming platform, noting that “Home Alone” historically has high viewership during the months leading up to Christmas.

Deadline highlights that the film will be packaged as a “holiday special” alongside other Disney+ originals such as “The Santa Clause” remake and “Elf: The Musical.” The release date is not yet confirmed, but the film is expected to generate buzz on social media platforms, as Disney’s marketing team plans to release a series of teaser trailers that will incorporate snippets of Sarandon’s performance and Curry’s archival voice.

7. Critical Reception and Legacy

While the article does not yet include reviews, it references early reactions from test audiences who found the combination of a strong maternal lead and a chilling antagonist to be “unexpectedly compelling.” Deadline links to a survey conducted by the Entertainment Weekly “Audience Feedback” division, which reports that 68% of viewers said they would recommend the film to friends and family.

The piece also contextualizes the project within the broader “Home Alone” franchise, citing that the original 1990 film grossed $476 million worldwide and sparked a sequel in 1992. Deadline suggests that Disney’s re‑imagining is part of a broader strategy to reboot nostalgic IPs for new audiences, similar to their recent work on “The Flintstones” and “Aladdin.”

8. Final Thoughts

Deadline’s coverage paints a picture of a Home Alone reboot that is both a homage and a departure. By bringing Susan Sarandon—a seasoned actress known for emotionally layered roles—and the legacy of Tim Curry’s voice, Disney is positioning the film as a family‑friendly thriller with a dash of supernatural intrigue. While the article does not yet confirm a director, it offers a clear sense that the project will blend nostalgia with contemporary storytelling techniques.

In sum, the short is poised to re‑introduce the Home Alone mythos to a new generation while keeping the core theme of protecting one’s home and family. As the production moves forward, fans and critics alike will be watching closely to see how the film balances the light‑hearted spirit of the original with the darker tones suggested by the creative team. Deadline’s follow‑up pieces will likely cover casting updates, pre‑production progress, and, eventually, the film’s premiere and audience reception.