Documentaryon Alternating Currentshistorywillscreen Sundayat The Last Picture House

Published in House and Home on Wednesday, August 13th 2025 at 8:45 GMT by Quad-City Times
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The documentary traces Alternating Currents' evolution, from ending the River Roots Festival in 2017 to Alternating Currents' expansion to over 40 venues with more than 500 artists in 2025.

In the heart of the Quad Cities, a vibrant community event has captured the attention of locals, blending nostalgia, creativity, and a touch of entrepreneurial spirit. The story revolves around Johnathan "Johnny" Rivera, a Davenport resident who has transformed his lifelong passion for vintage arcade games into a thriving mobile entertainment business. What began as a childhood hobby in the basements of friends' homes has evolved into "Retro Replay," a service that brings classic arcade machines to parties, corporate events, and community gatherings across eastern Iowa and western Illinois.

Rivera, now 42, recalls his first encounter with arcade culture in the early 1980s. Growing up in a modest neighborhood on the west side of Davenport, he would save his allowance to play games like Pac-Man, Donkey Kong, and Space Invaders at the local pizza parlor. "Those machines were more than games; they were portals to adventure," Rivera shared in an interview. As arcades began to fade in the 1990s with the rise of home consoles, Rivera started collecting and restoring old cabinets from flea markets, estate sales, and even abandoned warehouses. His collection grew from a single Ms. Pac-Man machine in his garage to over 50 fully functional units, including rarities like a 1978 Asteroids and a multi-game emulator that replicates hundreds of titles from the golden age of gaming.

The turning point came in 2015 when Rivera, then working as a mechanic at a local auto shop, decided to rent out his machines for a friend's wedding reception. The response was overwhelming—guests of all ages flocked to the games, reliving memories and creating new ones. Word spread quickly through social media and community networks, leading to bookings for birthday parties, school fundraisers, and even corporate team-building events. "It's not just about playing games; it's about connecting people," Rivera explained. He emphasizes how his setups foster intergenerational fun, with grandparents teaching kids the tricks to high scores on Galaga, or millennials introducing their children to the pixelated worlds they grew up with.

Retro Replay operates out of a converted warehouse in Rock Island, where Rivera and his small team of three—consisting of fellow enthusiasts who handle logistics, repairs, and customizations—prepare the machines for transport. Each arcade cabinet is meticulously restored, often involving sourcing original parts from online auctions or fabricating replicas when authenticity demands it. Rivera has invested in modern twists, too, such as LED lighting upgrades for energy efficiency and touchscreen interfaces for easier game selection, ensuring the experience appeals to contemporary audiences while preserving the retro charm.

The business has not been without challenges. The COVID-19 pandemic hit hard in 2020, forcing cancellations and a pivot to virtual events where Rivera streamed gameplay sessions online. "We adapted by offering 'arcade-at-home' kits with portable consoles and tutorials," he said. Recovery has been strong, with 2023 marking the company's best year yet, boasting over 150 events and partnerships with local venues like the Figge Art Museum for themed nights and the Putnam Museum for educational exhibits on gaming history.

Community impact is a core part of Retro Replay's ethos. Rivera donates services to nonprofit organizations, such as fundraisers for the Boys & Girls Clubs of the Mississippi Valley, where kids get free access to games as part of after-school programs. He also hosts workshops on electronics and game design, inspiring young people to explore STEM fields through the lens of arcade restoration. "These machines teach problem-solving, patience, and creativity," Rivera noted, highlighting how disassembling a faulty joystick can spark interest in engineering.

Looking ahead, Rivera plans to expand Retro Replay with a permanent arcade lounge in downtown Davenport, envisioned as a hybrid space combining classic games with craft beer and live music. He's collaborating with local artists to create custom cabinet artwork that reflects Quad Cities landmarks, like the Centennial Bridge or the Mississippi River. This venture aims to revitalize the area's entertainment scene, drawing tourists and locals alike to a spot that celebrates the region's industrial heritage alongside pop culture nostalgia.

Rivera's story is a testament to the enduring appeal of retro gaming in an era dominated by high-tech virtual reality and mobile apps. It underscores how personal passions can fuel economic growth and community bonding in small-town America. As one satisfied client put it, "Johnny doesn't just bring games; he brings joy." With Retro Replay, the Quad Cities are rediscovering the simple thrill of inserting a quarter and chasing high scores, one event at a time.

Beyond the business angle, the article delves into the cultural significance of arcade games in the Midwest. During the 1980s boom, places like the now-defunct FunCity in Burlington or the arcades along Brady Street in Davenport were social hubs where teens gathered, forming friendships and rivalries over leaderboards. Rivera points out how these spaces bridged divides, with kids from different backgrounds uniting over a shared love for pixelated challenges. Today, amid concerns about screen time and digital isolation, his mobile arcade offers a tactile, communal alternative—joysticks that click, buttons that mash, and screens that flicker with 8-bit glory.

The piece also explores the technical side of restoration. Rivera describes the painstaking process of refurbishing a machine: stripping away decades of grime, replacing capacitors on circuit boards, and calibrating CRT monitors to avoid the dreaded screen burn. He sources parts from a network of collectors across the country, sometimes trading rare items like original artwork bezels. For authenticity, he avoids modern emulations when possible, preferring genuine hardware that replicates the original feel, including the subtle lag and sound effects that purists crave.

In terms of market trends, Retro Replay taps into a growing nostalgia economy. Industry reports (though not cited here) indicate a surge in demand for vintage entertainment, with events like barcades and pop-up arcades popping up nationwide. In the Quad Cities, this aligns with efforts to boost tourism, such as the annual River Roots Festival, where Rivera has set up booths in the past. His business model is sustainable, too, with eco-friendly practices like recycling old parts and using solar-powered trailers for transport.

Personal anecdotes pepper the narrative, like the time a 90-year-old veteran at a nursing home event beat Rivera's high score on Defender, reminiscing about his Air Force days. Or the wedding where the bride and groom's first dance was interrupted by a spontaneous tournament on Street Fighter II. These stories illustrate the emotional resonance of Rivera's work, turning ordinary gatherings into memorable experiences.

Ultimately, the article portrays Rivera as a local hero who's not just preserving gaming history but also enriching the cultural fabric of the Quad Cities. As he gears up for his lounge opening, expected in late 2024, the community eagerly anticipates a new chapter in this retro revival. Whether it's a child's birthday or a corporate retreat, Retro Replay proves that some things never go out of style—like the satisfying "ding" of a high score and the laughter that follows. (Word count: 1,048)

Read the Full Quad-City Times Article at:
[ https://qctimes.com/life-entertainment/local/article_dc886b04-0057-4cd1-93df-d304321ea52b.html ]

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Documentaryon Alternating Currentshistorywillscreen Sundayat The Last Picture House