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Northern Ireland's Troubles Legacy Lives On in Murals

  //house-home.news-articles.net/content/2026/02/1 .. reland-s-troubles-legacy-lives-on-in-murals.html
  Published in House and Home on Wednesday, February 11th 2026 at 12:50 GMT by BBC
      Locales: N/A, Antioquia, Boyacá, COLOMBIA

Belfast, Northern Ireland - February 11th, 2026 - A new study from Queen's University Belfast has revealed the startling persistence of visual reminders of Northern Ireland's turbulent past. The research, published this week, documents a staggering 197 paramilitary murals and memorials still adorning walls and public spaces across the region - testaments to the decades-long conflict known as the Troubles. While peace has largely held for over two decades, these artworks powerfully demonstrate that the wounds of the past remain visible, and in many ways, actively maintained.

These aren't simply historical artifacts; the study highlights them as "powerful symbols" actively shaping the present. The murals, often vibrant and detailed, depict key events from the Troubles, commemorate those who died during the conflict - often framing them as martyrs - and continue to project specific political messages. The very act of their continued existence, the study argues, reflects ongoing sectarian divisions within Northern Irish society. They function as memorials, maintaining collective memory and, for some, reinforcing a sense of identity rooted in the conflict.

For decades, the Troubles pitted mainly unionist (Protestant) and nationalist (Catholic) communities against each other, fueled by political, economic, and cultural grievances. While the Good Friday Agreement in 1998 brought an end to the worst of the violence, achieving genuine reconciliation has proven a complex and protracted process. The presence of these murals and memorials, therefore, isn't merely a historical curiosity - it's a live indicator of the state of community relations.

What's particularly striking is the resilience of these visual statements. While some murals have been removed or painted over in attempts to foster a more unified image, the study found that the memorials - typically stone plaques or dedicated spaces - remain largely untouched. This suggests a deeper, more ingrained commitment to honoring the past, particularly within specific communities. Removing a memorial is often seen as a deliberate act of disrespect, capable of reigniting tensions. This presents a significant challenge for those seeking to move Northern Ireland further along the path to peace.

The Queen's University Belfast research, funded by the Community Relations Fund, was painstakingly compiled by postgraduate students who meticulously catalogued these artworks across the region. Their work has created a vital resource for understanding the visual landscape of Northern Ireland and its connection to the Troubles. The study doesn't just count the murals; it analyzes their themes, locations, and the communities they serve, providing a nuanced picture of how the past is remembered and represented.

Experts suggest that the continued presence of these murals serves multiple purposes. For some communities, they offer a sense of belonging and historical continuity. They act as a visual record, preserving memories and narratives that might otherwise be lost. However, for others, they are seen as divisive symbols that perpetuate animosity and hinder reconciliation. Critics argue that glorifying paramilitary figures, even in the context of remembrance, can reinforce a cycle of violence and prevent communities from fully moving forward.

The debate over what to do with these murals is ongoing. Some advocate for their complete removal, believing they are incompatible with a peaceful future. Others propose contextualization - adding explanatory panels that provide a broader historical perspective and acknowledge the suffering on all sides of the conflict. A more radical suggestion involves community-led initiatives to transform the murals into expressions of peace and reconciliation, perhaps incorporating themes of forgiveness and shared future.

The situation is further complicated by the fact that many of these murals are located in historically sensitive areas, often marking territorial boundaries between communities. Removing or altering them could be seen as a provocative act, potentially triggering unrest. Any attempt to address this issue requires careful consultation with local residents and a deep understanding of the complex social dynamics at play.

Ultimately, the study underscores that Northern Ireland's visual landscape is a powerful reflection of its fractured history and ongoing challenges. The murals and memorials are not just paintings on walls; they are embodiments of collective memory, political beliefs, and unresolved grievances. As Northern Ireland continues to navigate the path toward lasting peace, confronting this legacy - and deciding how to appropriately acknowledge and address it - will be crucial. The sheer number of these enduring symbols, nearly 200, serve as a constant reminder that the Troubles are not simply a chapter closed, but a living presence in the fabric of Northern Irish society.