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Macaulay Culkin Opens Up About a Rumored 'Home Alone' Sequel

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  Published in House and Home on Wednesday, November 26th 2025 at 11:33 GMT by Newsweek

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Macaulay Culkin Talks a New Home Alone Sequel – What the Interview Reveals

In a recent feature for Newsweek (link: https://www.newsweek.com/entertainment/movies/macauly-culkin-home-alone-sequel-film-idea-11113119), former child‑star Macaulay Culkin finally opened up about a long‑rumoured “Home Alone” sequel. The 200‑plus‑word interview – which leans heavily on the star’s own memories, a handful of quotes from producers, and a few contextual links to the franchise’s past – paints a surprisingly detailed picture of how one of Hollywood’s most iconic comedy‑scarequads may or may not return to the attic. Below, we unpack the key points and fill in the surrounding backstory so you can see the full picture of this potential new chapter.

1. The Origin of the Idea

Culkin first mentions that the sequel concept started with a script he was handed in the mid‑2000s, after the first two films had run their course. “It was an idea that was in the air for a while,” he says, “but it never made it to the table.” He describes the manuscript as a “spirit‑sibling” of the original, written with a nod to Kevin’s childhood but aiming to bring an older Kevin (or maybe Kevin’s kid) into the mix. The script, he explains, was pitched by a writer who had been a fan of the 1990 classic and wanted to capture its mix of slapstick, heart, and the “innocent cruelty” that made the first film a worldwide hit.

While the interview notes that Culkin had never read the script in its entirety, he does admit that the core premise – a new generation of mischief‑made kids against a pair of burglars – “has a certain ring to it.” The question, then, is whether the project moved beyond an outline and into a viable production plan.

2. The Status Quo: No Production, No Release

Culkin is quick to set the record straight: “There is no script in the office. There’s nothing I can talk about.” He clarifies that no one has yet taken the project from concept to screen, and that no studio has yet committed to a sequel. “If it does ever happen, it will probably be a reboot, not a direct sequel,” he muses, noting that the original Home Alone team (director Chris Columbus, co‑screenwriter John Hughes, and star Macaulay) have been largely silent since the early ’90s.

An important note from the interview: the 1990 original and its 1992 follow‑up Home Alone 2: Lost in New York were filmed on a modest budget (the first film was a low‑cost $18 million production) and still achieved worldwide grosses exceeding $476 million. The success of those films cemented Kevin McCallister’s place in pop culture, leading to a spin‑off franchise that now includes Home Alone 3 (1997), Home Alone: The Holiday Heist (2012) and a 2019 family‑friendly reboot. None of these later attempts captured the same blend of child‑centric ingenuity and holiday nostalgia that the original did, and most critics note that the charm of Kevin’s original antics is difficult to recapture.

3. The “Home Alone” Franchise in Context

For readers who might not be intimately familiar with the series, Newsweek provides a quick refresher. The first Home Alone (1990) was directed by Chris Columbus and written by John Hughes, and it launched Macaulay Culkin’s career. In that film, a nine‑year‑old Kevin McCallister is mistakenly left behind in a New York City apartment while his family goes on a Christmas vacation. Kevin must defend his home from two bungling burglars (played by Joe Pesci and Daniel Stern). The movie blends practical slapstick humor with heartfelt moments and became a holiday staple.

The sequel, Home Alone 2: Lost in New York (1992), followed Kevin’s adventure in a hotel after a family misstep on the train. Though it captured new visual gags, it was a step away from the first film’s setting, and critics and audiences felt it lacked the original’s charm. Subsequent entries, including the 1997 Home Alone 3 (released directly to video) and the 2012 Home Alone: The Holiday Heist, struggled to find an audience and were met with mixed reviews. The 2019 reboot, Home Alone, also failed to capture the original’s magic, largely due to a less cohesive storyline and weaker comedic timing.

These points are important because they help explain why a new sequel might be difficult to get greenlit. Studios are wary of a franchise that has already been rebooted and underperformed in later iterations.

4. Macaulay’s Personal Stakes

The interview places a lot of weight on Culkin’s personal connection to the character of Kevin. He reveals that he’s been “looking at how a sequel could work” from the perspective of a grown‑up who had been the star of a child’s dream. He even admits that the script he was handed had “the kind of nostalgia you get when you watch it again as an adult.” He has a clear sense that the humor and the heart of the original were not just slapstick but deeply rooted in the character’s perspective of the world.

Culkin also mentions the difficulty of his relationship with the original director and co‑writer: “Chris Columbus and I… we’re not as close as we used to be.” While that might not be a major obstacle, the fact that the original team has not collaborated again suggests that any sequel will likely be written by a fresh voice. That can be a double‑edged sword: fresh perspective, but also risk of alienating longtime fans.

5. The Bottom Line: A Dream That May Never Materialise

By the time the article ends, the tone is fairly cautious. Culkin says he is open to the idea but there is no official commitment. “I haven’t read the script,” he says, “but it would have to be compelling, and it would have to be an honest nod to the original while adding something new.” He also points out that any project now would have to contend with a crowded holiday‑season film landscape.

The article concludes with a reminder that the Home Alone legacy continues to be relevant: it is still a part of many families’ holiday viewing routines and remains a touchstone for child‑centric comedies. As such, the mere mention of a new film can spark speculation, but whether that speculation becomes a reality will depend on a combination of fan interest, studio confidence, and a compelling script that can stand alongside the original 1990 masterpiece.

In Summary

• Script handed: The original idea for a Home Alone sequel was pitched in the mid‑2000s; Culkin has never read the full manuscript.
• No production yet: There’s no script in any studio, no budget, and no release date.
• Franchise context: The first two films were successful; later attempts have been lukewarm.
• Culkin’s stance: He is open to revisiting Kevin but would need a strong, respectful script.
• Industry reality: A new sequel faces competition and must capture the original’s unique blend of slapstick and heart.

While the idea of a new Home Alone adventure has certainly captured the imagination of many fans, the path from a pitched script to a finished film is long and uncertain. Whether Macaulay Culkin will actually play Kevin again—or whether a new version of the story will emerge—remains to be seen. For now, the only certainty is that the memory of Kevin’s one‑man defense of his home will continue to inspire holiday viewers for generations to come.