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From Living Room to Heritage Hub: Assam's Antique-Filled Home Becomes a Tourism Draw

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  Published in House and Home on Saturday, December 6th 2025 at 23:49 GMT by The New Indian Express

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From Living Room to Heritage Hub: Assam’s Antique‑Filled Home Becomes a Tourism Draw

In the heart of Assam’s verdant landscapes, an ordinary family residence has been reborn as a bustling heritage hub, turning the everyday into a portal for history lovers and travelers alike. The piece published in The Sunday Standard on December 7, 2025, chronicles the journey of the Roy family home—once a modest living room filled with faded photographs and a handful of heirloom furniture—into a vibrant, museum‑like destination that now attracts visitors from across India and beyond.

A Legacy Rooted in Time

The Roys trace their lineage back to the early 20th century, a period when Assamese society was a tapestry of princely estates, British colonial influence, and rich indigenous traditions. Their ancestral home, located on the outskirts of Jorhat, was built in 1925 by the late Maharaja Gopal Chandra Roy, a patron of the arts who married a German princess. The marriage, which the article describes as “a confluence of East and West,” brought a collection of European furniture, Persian rugs, and an array of silverware into the Assamese fold.

For decades the family kept the home largely private, using it as a weekend retreat. Yet as the new century progressed, the family recognized that the world was changing, and with it, the need to preserve and share their heritage. “We felt that if we kept the house sealed, we were also sealing a part of Assamese history,” the article recounts during an interview with the current head of the family, Ms. Anjali Roy, a historian and curator.

The Transformation Process

The article details the painstaking restoration process that began in 2019. The Roys partnered with the Assam State Museum and a team of conservation specialists from the International Centre for Heritage Preservation. Their goal was to restore the structure while maintaining the authenticity of each item. Key highlights include:

• Rehabilitation of the original teak wood beams: The family’s craftsmen employed traditional Assamese joinery techniques, ensuring that the beams—many of which were over 90 years old—would stand for another century.
• Conservation of European artifacts: Items such as an 18th‑century French crystal vase and a Victorian lace tablecloth were carefully cleaned and preserved under climate‑controlled glass displays.
• Integration of digital storytelling: QR codes now accompany each exhibit, allowing visitors to hear audio narratives in Assamese, English, and Bengali, explaining the historical context of each piece.

The living room—once a simple space where the family gathered for tea—now serves as the centerpiece of the heritage hub. Its mahogany sofa, a gift from the Maharaja’s father, sits beside a meticulously restored antique sofa, and the wall behind it features a large portrait of Maharaja Gopal Chandra Roy, painted by a Dutch expatriate who lived in Assam during the early 1900s.

A New Tourism Experience

The article paints a vivid picture of the hub’s day‑to‑day operations. Each morning, a group of volunteers in traditional Assamese attire opens the doors, greeting tourists with a friendly “Namaskar.” Visitors are offered guided tours that take them from the living room through a series of interconnected rooms:

1. The Library of Assam – A room filled with rare manuscripts in Assamese, English, and Bengali, some dating back to the 1800s. A small digital archive allows visitors to view high‑resolution scans of the manuscripts.
2. The Palace of Pearls – An exhibition showcasing Assamese hand‑woven silk and intricate beadwork that were once favored by royalty.
3. The Garden of Memories – An outdoor courtyard where the Roys keep a collection of family photographs, including portraits of the first Assamese students who went to study in Europe.

The article notes that the hub has successfully blended education with entertainment. For instance, a “Living History” theater stage, set up within the living room, hosts daily performances where local actors reenact key moments from the Roys’ history. This interactive element has proven particularly popular among school groups and youth tours.

Community Impact and Future Plans

Beyond tourism, the Roys’ initiative has had a ripple effect on the local community. The article highlights several community benefits:

• Employment: The restoration project created jobs for 30 local artisans, and the ongoing operations employ an additional 15 staff members.
• Educational outreach: The hub offers scholarships to local students pursuing studies in heritage conservation and museum curation.
• Economic boost: Nearby tea gardens and handicraft shops have reported a 25% increase in sales, owing to the influx of visitors.

Looking ahead, the Roy family is keen to expand the hub. Plans include a small museum annex to house an expanded collection of Assamese folk instruments, and a collaborative project with the Assam State Museum to host rotating exhibitions featuring regional folk art.

Reflections on Heritage Preservation

In closing, the article underscores a broader message that resonated throughout the piece: the importance of safeguarding cultural heritage in an age of rapid modernization. Ms. Anjali Roy reflects, “Every artifact tells a story, and every story shapes who we are. By sharing our home with the world, we hope to keep Assam’s heritage alive for generations to come.”

The transformation of the Roy family’s living room into a heritage hub stands as a testament to what can be achieved when tradition meets innovation. It is a shining example of how a single family’s dedication can turn a private space into a public treasure, enriching the cultural tapestry of Assam and offering a meaningful, immersive experience for all who step through its doors.